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Charlotte Perrelli - "The Girl"

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Perrelli's return to the schlager spotlight yielded mixed results for her dedicated fans. 

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Third time lucky? Charlotte Perrelli is one of Sweden's most talked about pop stars. Launching herself onto the wider public by winning ESC 1999 for her country, her career since has been filled with poptastic highs and lots of sparkley outfits. A second attempt for Eurovision glory in 2008 led to another win in Sweden, but not such a brilliant placing at the ESC final. This year, a third song, "The Girl" tried to secure its place at Eurovision, but didn't even get past the semi-final heat in 2012. were situated inside the arena in Malmö for her Melodifestivalen turn and sensed a problem was coming when the reaction of the audience during rehearsals was muted at best after her performance. How could this consumate professional who threw everything but the kitchen sink into this great performance not strike a chord with the Swedish public? The 12points jury does it's analysis below. Was the song girl-licious and girl-tastic or just girl-umpty?

Song/Lyrics - 12/12
Most Melodifestivalen songs that make it far don't get too personal in the lyrics. For example, this year had the classics: "you're amazing/amazing/you're oh oh oh amazing". But through our interview with Charlotte Perrelli, she told us that the lyrics were very personal to her. After some chaos in her own life and a particularly nasty divorce, she had her feet on the ground again and was happy to sing about it all. The music sounds as if it's an old ABBA record with a scratch in it, but managed to throw in musical enough tricks to keep it interesting. 

Performance - 12/12
We saw Charlotte rehearse and perform this song a total of 10 times over 3 days of rehearsals and she hit it 100% every time. No other act in rehearsals could manage such a feat, suffering with tired voices and shattered nerves. Watching Perrelli march back and forth over 3 minutes would be tiring for most people, but Charlotte does what a performer should do - be consistent. The use of the Beyoncé-esque video screens worked well but maybe were a little distraction.

Choreography (including Arm-ography and Hair-ography) - 6/12
We think the staging and choreography are what ultimately kept the votes away for poor Charlotte. I am guessing in an attempt to make this song even more exciting than her other two entries is what derailed it. If you look carefully at the song, it has four different settings over 180 seconds - in front of a screen, on stage, back by the screen, on stage again. It was almost too much to take in. Combine so much movement with some typically frantic and meaningless choreography (a ballet/line dancing combo) and the effect of that could mean all the intricacies are nullified. Swedes DO tend to voite for something that is reasonably safe, and maybe this was just too scary for them.

Camp Factor - 12/12
Charlotte's costume cost 500.000 Swedish kronor (€56.000). Enough said.

Would My Mother Like it? - 8/12
I would imagine she'd like it. She appreciates good camp, like her son.


TOTAL: 50/60.  Well done, Charlotte. Better luck next time. 

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